Permutación de la música de verbena: nuevas sonoridades. Caso Systema Solar
DOI:
https://doi.org/10.15665/re.v15i3.1098Keywords:
African music, Symbolic Capital, Cultural Capital, Cultural Hybridization, Cosmopolitanism, Mediation Technology, Popular Music, Verbena.Abstract
This article presents an analysis of the processes of permutation that has suffered the music of verbena, in the city of Barranquilla, through a cultural hybridization, which has been based on new processes of technological mediation and cultural appropriation, factors that have influenced widely in major stages of construction of Colombian popular music. The case study was developed from in-depth interviews with members of the group Systema Solar and documentary and literature review. Among the findings are two elements in the background of the process of accumulation of symbolic capital in these new musical African music, Barranquilla, Symbolic Capital, Cultural Capital, Cultural Hybridization, Cosmopolitanism, Mediation Technology, Popular Music, Verbena. expressions: 1) a process of technological mediation, from the incorporacón equipment and new production techniques such as remixing songs, for example, and 2) the apropación of a Caribbean ethos, defined not from a territorial identity but meaningless.
Downloads
Published
How to Cite
Issue
Section
License
Proposed Policy for Open Access Journals
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work registered under a Creative Commons Attribution License, which allows others to use the published work as long as the authorship and first publication in this journal are acknowledged.
- Authors can enter into additional contractual agreements for the non-exclusive distribution of the published version of the article (e.g., include it in an institutional repository or publish it in a book) as long as the first publication in this journal is acknowledged.
- Authors are allowed and encouraged to post their work online (e.g., on institutional or personal websites) before and during the submission process, as this can lead to productive exchanges and a greater and faster dissemination of the published work (see The Effect of Open Access).